For Ever Four Seasons, 45’ (2019)
dance performance
– The ability of man is the enigma of man, this for good and evil!
Human beings have developed, and survived as a species due to the ability to cooperate and develop mental structures and systems. For instance, technology, philosophy, and art. At the same time they have created: concentration camps, weapons, and nuclear power. In recent years, both art and philosophy have reflected on the fact that the man has become a similar geological force to volcanoes, rivers, and displacement of tectonic plates. For the first time in history, a majority of us lives in urban man-made landscapes rather than rural areas. Mankind has detached itself from nature. Is it because we no longer regard ourselves as part of it? The work For Ever Four Seasons investigates what value the term “nature” has today. Perhaps the idea of separation between the man and nature should be reconsidered?
The development of this work is influenced by a Nobel Prize winning writer Svetlana Aleksijevitj’s reflections and interviews with survivors of Chernobyl. Aleksijevitj uses the Chernobyl disaster as a potential picture of the future, and let the witnesses remember in a world that will forget. Her analysis is a hyper-concrete example that poses ethical, moral and metaphysical questions to the modern human. With nuclear technology, we have also gained an instrument so that we can act on the same scale as nature. A man-made natural power. What is the role of humanity in the geological period we are in now, the Anthropocene age? Convoi Exceptionnel gives space and form for an artistic explanation to the questions above.
Concept, choreography, scenography, light: Jon R. Skulberg Dancers: Marianna Kavallieratos, Kenzo Kusuda
Composers, musicians: Soma & Lil (Soma Allpass, Lil Lacy)
Composer, sound design: Kristian Hverring
Dramaturg: Astrid Hansen Holm Costumes: Mads Dinesen
Light technician : Irene Lehtonen
Sound assistant : Johan August Dyrløv Høegh
Creative producer, agent: Lene Bang
Communication: Kirstine Bauning
Photos: Søren Kjeldgaard
Premiere: Bora-Bora, Aarhus, September 4th, 2019
“(...) a disharmonious and provocative performance.”
“In two pictures, the audience is led into a self-examination of humanity's self-destructive behavior.
We are roared to without words, we are screamed to without expression, we are thrown into reality”
“I was frightened by this painful encounter with the downfall of humanity”
KulturNyt.net
“It's beautiful and grim.”
Iscene.dk
Return to PROJECTS